Portal Poetry

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The first lines of the Iliad
The first lines of the Iliad
Great Seal Script character for poetry, ancient China
Great Seal Script character for poetry, ancient China

Poetry (a term derived from the Greek word poiesis, "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.

Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.

Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)

Selected article

Rural landscape with grassy cliff top to the right, sea and shore in the background to the left. Shepherd in a blue smock stands on cliff top to the right, leaning on his staff, with a flock of sheep grazing around him.
A classic pastoral scene, depicting a shepherd with his livestock; a pastoral subject was the initial distinguishing feature of the villanelle. Painting by Ferdinand Chaigneau [fr], 19th century.

A villanelle, also known as villanesque, is a nineteen-line poetic form consisting of five tercets followed by a quatrain. There are two refrains and two repeating rhymes, with the first and third lines of the first tercet repeated alternately at the end of each subsequent stanza until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed verse form. The word derives from Latin, then Italian, and is related to the initial subject of the form being the pastoral.

The form started as a simple ballad-like song with no fixed form; this fixed quality would only come much later, from the poem "Villanelle (J'ay perdu ma Tourterelle)" (1606) by Jean Passerat. From this point, its evolution into the "fixed form" used in the present day is debated. Despite its French origins, the majority of villanelles have been written in English, a trend which began in the late nineteenth century. The villanelle has been noted as a form that frequently treats the subject of obsessions, and one which appeals to outsiders; its defining feature of repetition prevents it from having a conventional tone. (Full article...)

Selected image

Opening page, Metamorphoses, Ovid (1567 edition)
image credit: public domain

Poetry WikiProject

Charles Baudelaire
Charles Baudelaire
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Selected biography

Edward Estlin Cummings (October 14, 1894 – September 3, 1962), known as E. E. Cummings, with the abbreviated form of his name often written by others in lowercase letters as e e cummings (in the style of some of his poems—see name and capitalization, below), was an American poet, painter, essayist, author, and playwright. His body of work encompasses approximately 2,900 poems, two autobiographical novels, four plays and several essays, as well as numerous drawings and paintings. He is remembered as an eminent voice of 20th century English literature.

Despite Cummings's familiarity with avant-garde styles (undoubtedly affected by the Calligrammes of Apollinaire, according to a contemporary observation , much of his work is quite traditional. Many of his poems are sonnets, albeit often with a modern twist, and he occasionally made use of the blues form and acrostics. Cummings' poetry often deals with themes of love and nature, as well as the relationship of the individual to the masses and to the world. His poems are also often rife with satire. (Full article...)

Selected poem

Adonais verses 1-4 by Percy Bysshe Shelley

1
I weep for Adonais - he is dead!

O, weep for Adonais! though our tears

Thaw not the frost which binds so dear a head!

And thou, sad Hour, selected from all years

To mourn our loss, rouse thy obscure compeers,

And teach them thine own sorrow, say: "With me

Died Adonais; till the Future dares

Forget the Past, his fate and fame shall be

An echo and a light unto eternity!"

2
Where wert thou, mighty Mother, when he lay,

When thy Son lay, pierced by the shaft which flies

In darkness? where was lorn Urania

When Adonais died? With veiled eyes,

Mid listening Echoes, in her Paradise

She sate, while one, with soft enamoured breath,

Rekindled all the fading melodies

With which, like flowers that mock the corse beneath,

He had adorned and hid the coming bulk of death.

3
O, weep for Adonais - he is dead!

Wake, melancholy Mother, wake and weep!

Yet wherefore? Quench within their burning bed

Thy fiery tears, and let thy loud heart keep

Like his, a mute and uncomplaining sleep;

For he is gone, where all things wise and fair

Descend; - oh, dream not that the amorous Deep

Will yet restore him to the vital air;

Death feeds on his mute voice, and laughs at our despair.

4
Most musical of mourners, weep again!

Lament anew, Urania! - He died,

Who was the Sire of an immortal strain,

Blind, old, and lonely, when his country's pride,

The priest, the slave, and the liberticide

Trampled and mocked with many a loathed rite

Of lust and blood; he went, unterrified,

Into the gulf of death; but his clear Sprite

Yet reigns o'er earth; the third among the sons of light.

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